EPSY 5750: Creativity (Spring 2009)  Instructor: Wayne Trembly Phone: 860.456.2269

Email: WNT00001@UCONNVM.UCONN.EDU       On-Line Office Hours: By appointment

Second email: tremblywn@mansfieldct.org

            It is expected that students will read and understand everything below. Questions are sincerely welcomed.

 

Course Description: The major purpose of this course is to study the theoretical and practical aspects of creativity- what is creativity, how do we develop it in ourselves and in our students. The course is an overview of major definitions, theories, and research related to the study of creativity and the creative individual. Class members will learn techniques for stimulating creative thinking as well as strategies for adapting existing curricula to develop creative thinking abilities in students. Topics also include the assessment of creative thinking, methods for enhancing personal creative abilities, and techniques for examining the creative process.

 

Course Objectives: As a result of participation in this course, students should:

A.     Describe the major theories and models of creativity that attempt to describe creative people, creative processes, and creative products.

B.     Describe factors that influence the development, assessment, and evaluation of creative potential in individuals.

C.    Apply techniques for developing creative thinking abilities in students.  These will include brainstorming, attribute listing, SCAMPER, synectics, and creative problem solving.

D.    Discuss, in an on-line format, class activities, practices, issues in creativity, and organizational strategies that support the development of creativity.

E.  Increase personal creative abilities.

 

Text:  Creativity Is Forever  5th edition  Gary A. Davis The text contains excellent end of chapter reviews.  For the most part these will not be assigned. This is a new edition; older editions will not be useful. Helpful hint:  The student is strongly encouraged to complete the exercises.  End of chapter summaries are also quite useful.  (Optional- Recommended for Gr. K-3: Creativity 1,2,3 Cray-Andrews, M. & Baum, S. [1993]. Unionville, N.Y.  Trillium)

Other Readings: For each unit there will be assigned some personal writings by a famous “creative person.” These are generally short. They are intended to give the student the opportunity to “look inside a creative person’s mind” as he discusses something about his interaction with the creative process. The instructor apologizes for the fact that all eight creative people in the sample are male. He welcomes class members to forward samples of similar material from female creators for inclusion in future versions of the course (extra credit). 

Optional readings: These are provided for those who would like to pursue a topic in greater detail.  YOU WILL NOT BE EVALUATED ON OPTIONAL MATERIALS, but you may, of course, cite them as references if you choose to read any of them.

Important notes: (Sorry if this appears unfriendly but I truly need all students to be aware of ALL of this information)

 

1. All due dates for the course are listed in the "Course Calendar".

 

2. Assume you have at least an "A-" unless the instructor has

    emailed you concerning grades. 

 

3. The instructor is sometimes remiss regarding informing

    students about specific grades. Please feel free to inquire about

    a specific grade, or about your grade in general at any time.

4. Any and all questions are sincerely welcomed at any time.

 

5. Students should expect a reduction in grade for late work

  unless a prior arrangement has been reached with the instructor.

 

6. WARNING: AS THE END OF THE COURSE APPROACHES

   DEADLINES BEGIN TO FALL VERY CLOSE TO EACH OTHER.

  PLAN AHEAD TO AVOID UNNECESSARY STRESS.

 

Units:  The course will consist of eight units, each lasting either one or two weeks.  One weekend will be included in the time period for each unit.  Each unit will contain the following components:

 

Instructor’s Notes: This is the equivalent of the lecture portion of the course. It will be a brief attempt to focus your study of the unit, as lecture is not applicable to the format.

 

Mini- Projects: There will be four creative mini-projects assigned. These are attempts to allow the student to develop and or express her/his creativity either alone or in a group. Creative mini-projects will be posted on-line as a form of “class presentation”, and as a way to share information that may come up on the Final Examination.  Unless otherwise stated, on-line discussion of mini-projects is optional. Due dates for Mini- Projects do not coincide with end of unit deadlines. (25% of final grade)

 

Assignments:  Each unit will include an “Assignment” section featuring one or more brief assignments. Responses should be emailed to the instructor. (15% 0f Final Grade)

 

Major Creative Project: This should be something you actually create, design, invent...  Rather than give details or suggestions, the instructor would prefer to dialogue with the student about her/his ideas along these lines.  There are myriad ways of being creative and uncountable directions for the student to go with this project.  Regarding presentation, if the project is visual it can be videotaped or photographed; if it’s an audio, it can be recorded on CD.  The product does not necessarily have to be delivered to the instructor, as long as he sees and/or hears it in as much detail and with as much accuracy as possible (There are ways in which almost any project could be presented)- think possibilities, not limitations.  Work from your strengths.  Attempt that creative project you’ve always said you wanted to try (if it’s too big for the time frame let’s discuss how much of it is reasonable to complete during the semester). This should be a joyful project not an assignment.  You should look forward to the time you spend on this aspect of the course. (due May 1; 25% of final grade)

 

On-Line Discussions:  You will be required to post at least three times (>100 words each) during each unit of study: The first posting must be your reaction to the instructor's statement under: On-Line Class Discussion Topic:, the second and third postings should be reactions to postings of other students in class.  Each posting must contain your own ideas, opinions, reactions and/or findings.  Each must be supported by the text, or by other sources (cite the source, but it is not necessary to do so formally- ex.: “as Maslow says in Davis (P. 27)”; “as G. B. Jones states in her book, Creativity Must Be Stopped” [I made that one up]).  “I agree with Cindy” is not an acceptable posting. The instructor will take part in the discussions from time to time.  MORE IS NOT BETTER. I am far more interested in the quality of your postings than in the quantity and length; HOWEVER, if your passion is aroused around an issue please feel free to go on as long as you feel it is necessary and useful, and to post as many times as you like.  All on-line postings must be posted within the time frame of the unit. (15% of final grade)

 

 

Examination:  The final exam will involve application of the course content.  In keeping with the nature and subject matter of the course, the exam will be approached by the instructor in a creative manner. Student input will be a major part of the process. The exam will be open book open note, done at the student’s own pace, with upper word limits for answers. (due May 4; 20% of final grade)

 

Final Date to Submit Work:  In order to avoid and "Incomplete" (which CAN be made up), all work must be received by the instructor no later than May 5.

 

On-Line Office Hours: Office hours are by arrangement unless the need should arise for formal, scheduled office hours.

 

Contacting the Instructor: Please feel free to email the instructor at any time.  Except in the case of extraordinary circumstances, you should expect a response within twenty-four hours.

 

Note:  Attempting to teach and learn a course in creativity in an on-line format presents challenges for both the instructor and the students.  The instructor has made every effort to anticipate difficulties and complications, but undoubtedly, issues will arise.  It is the responsibility of the student to communicate problems, issues, and confusions to the instructor so that these may be resolved in as painless a manner as possible. 

In contemplating the amount and difficulty of work included in the course, the instructor took into account the fact that there will be no “live” class meetings, and no commuting time.  The fact that, in many cases, students are working full time was also taken into consideration.

The “on-line discussion” portion of the class is a vital component.  It will provide us the opportunity for “class discussion.”  The instructor will participate to the extent that he will attempt to refocus discussion and provide ideas and suggestions that have not come up.

Please understand that the instructor will make every attempt to make himself available to answer questions in a timely manner.

Whenever a due date is not given for an assignment, project… it is expected that it will be completed and received by the instructor by the last date of the particular unit of which it is a part.

 

     Some of the ideas used for this course came from Dr. Del Siegle and Dr. Susan Baum.